Yuma Street, NW
DC 20016, USA
BA, The American University, May,
University of Maryland, June, 1978.
University of Georgia, Syracuse University.
Alumni Award, Graduate
School, The American University.
Prize, Maryland State Open Art Show, 1973.
Assistance Grant, DC
Commission on the Arts and Humanities,
Travel Grant to England, The British
Recipient in the Visual Arts, DC Commission on the Arts and
1991-1992, 1993-1994, 1998-1999, 2000-2001.
Fellowship, Virginia Center for the
Creative Arts, Sweetbriar, VA, Feb., 1995.
Projects Program Grant, DC Comm. on the Arts and Humanities, 1997.
“Skipping and Dancing, Bang.” Studio, Los Angeles, CA.
“Dreaming”, Gallery K, Washington, DC.
Palisades Post Office Installation, MacArthur Blvd., Washington,
DC, Sheila Rotner, Curator.
“Free Association”, Maryland College of Art and Design (two-person
“Dreams, Visions, and Music”, Gallery K, Washington, DC.
Gallery K, Washington, DC.
Installation, National Institutes of Health, Bldg. 10.
“Slightly Larger Worlds (Tifereth)”, Gallery K, Washington, DC.
“Open Books”, Washington Project for the Arts--Bookworks.
“Small Worlds”, Gallery K, Washington, DC.
Arvada Center for the Arts and Humanities-- WestLines Gallery, CO.
Sebastian-Moore Gallery, Denver, Colorado.
Boulder Center for the Visual Arts, Boulder, CO.
“25th Small Works”, 80 Washington Square East Galleries, NYC.
“The Anne Barlowe Show”, MOCADC, Washington, DC
Group Exhibit, Association for the Study of Dreams Annual Interna-
national Conference, University of California at Santa Cruz.
“Small is Beautiful”, Gallery K, Washington, DC.(also 2000,2001)
Summer Show, Gallery K, Washington, DC.
“Animals in Art”, NIH, curator, Lillian Fitzgerald.
“Vessels”, National Institutes of Health, Bldg 10, curator, Lillian
“Hypnopompia, Dreaming to Awakening”, UCLA Santa Cruz, Association
for the Study of Dreams Art Exhibition (slides).
“The Painted Object”, Group Show, Anton Gallery, Washington, DC.
“Precious”, Jan Baum Gallery, Los Angeles, California.
Group Summer show, Artworks/Bookarts, Santa Monica, California.
“Art of the Book 98”, Canadian Bookbinders & Book Artists Guild,
Toronto, Canada; Carol Barton, Robert Jekyll, Michael Wilcox, jurors.
(Travel in Canada)
Pyramid Atlantic/Corcoran Book Fair, Corcoran Gallery of Art, with
Joshua Heller, Rare Books, Inc., Washington, DC.
“Women of the Book”, Finegood Art Gallery, West Valley, Southern
Calif., Judith A. Hoffberg, Curator. (Scheduled to travel, USA &
“Sixty Artists Celebrate Sixty Years”, Duke Ellington School
Gallery, Wash., DC, Margaret Paris, curator.
“Dreams of Life and Death”, The Living
Room, Santa Monica, CALIF.
SOFA (Second International Exposition of Sculpture, Objects &
Functional Art), Cocoanut Grove Convention Center, Miami, Florida.
Program Exhibition, Maryland Art Place,
Baltimore, MD, Faye Hirsch, Critic-in-Residence.
Juried Painting Exhibition. Arlington Arts Center, juror, Howard Fox,
Contemporary Art, Los Angeles County Museum of Art,
“12 x 12 x 12 - 5th Annual”, Rockville Art Place, Willem deLooper,
“Global Focus”, United Nations Fourth World Conference on Women,
Kennedy Center Gallery/Canteen for Musicians, Washington, DC.
“Miniature Show”, Vartai Gallery, Vilnius, Lithuania.
“Spirituality and Death”, Gallery 451, Rockford, Illinois.
“Wise Women”, Woman Made Gallery, Chicago, Illinois.
“Dreams, Legends, & Folklore”,
Willow Street Gallery, Washington,
DC, Joan Wolbier, juror.
1994 National Juried Show, Ceres Gallery, New York, New York; Juror, Eleanor Heartney, Art Critic, Art in America, Honorable Mention.
“Tributaries” (6 artists), Ellipse Arts Center, Arlington, VA, Lee
1993 “Small is Beautiful”, Gallery K, Washington, DC
1993 Sculpture Exhibit, Washington Sculptors Group, Marian Griffiths, juror, Washington Square Bldg.
“Art in Boxes”, England & Co., London, England, then Nottingham
Museum, Nottingham, England.
“Sculpture Now”, Washington Sculptors Group, Washington
“Revered Earth”, Watkins Gallery, The American University.
“Small Sculpture”, The Robischon Gallery, Denver, CO (also 1991,
“Review-Preview”, Gallery K, Washington, DC (also
“Something Strange”, White Columns, New York, New York.
6th Annual Juried Art Exhibit,
Strathmore Hall Foundation and
The Artery Organization, Inc. Marilyn Zeitlin, juror.
McDonogh Annual Juried Exhibit; Carter Ratcliff, Juror, Tuttle
Gallery, McDonogh School, McDonogh, Maryland.
“Books and Bookends”, Carol Barton, Curator, Strathmore Hall.
“New on View”, Strathmore Hall, Jock Reynolds, Juror.
National Museum of Women in the Arts Artists’ Book Exhib
(library), Krystyna Wasserman, Curator (also 1989).
Alumni Artists Exhibit, The American University, Watkins Gallery.
“Boxformations”, Linda Thern Smith, Curator, Prince George’s
County Community College and the Foundry Gallery, Washington,
“Non-Two-Dimensional”, Auraria Campus, University of Denver.
“Colorado Ô83”, Colorado Springs Fine Arts Center.
Phoenix Art Museum Biennial Exhibit, curated by Albert Stuart,
Curator of Contemporary Art.
Franklin Furnace’s Artists’ Bookwork Exhibit, Walker Art Center,
7th Colorado Annual, Diane Vanderlip, Curator,
6th Colorado Annual, Denver Art Museum.
“All-Colorado Women’s Exhibit”, Arvada Center for the Arts and
“From the Studios of Washington Artists”, Washington Project for
the Arts, Jack Rasmussen, Curator.
“Paperworks”, Washington Gallery of Modern Art, Georgetown, DC.
Johnson Archive, Richard L. Feigen & Co., New York, NY.
Museum of American Art,
Museum of Women in the Arts
Institutes of Health
Center for Book & Paper Arts, Columbia College, Chicago
Art Museum (formerly)
Springs Fine Arts Center (presently)
Manhattan Bank of New York
Exeter Oil Co.
Bank of New York
Ana, “Green Chalk”, washington review, Vol.XXVII, No.1-2,
June/July/Aug/Sept.2001, p. 31.
Faye, “Hirsch: Critic in Residence”, MAP/Critics’ Residency Program, an
supplement to the washington review, Ô95/’96, pp. 4-5.
Cleary, “Tributaries: An Exhibition”, washington review, Vol. XX, No. 3,
October/November, 1994, p. 17.
Ingrid Groller-Lane, “Diverse
Inspirations Converge in Sculpture”,
Fairfax Weekly Metro Section, February 17, 1994, p. 9.
D. Passantino, “Slightly Larger Worlds (Tifereth)”,
Eyewash, Vol.1, September, 1991, p. 4.
Elizabeth Tebow, “Elaine Langerman:
Vol. XVI, No. 1, June/July, 1990, p. 23.
Nancy G. Heller, Galleries Column,
Washington Post, March 28, 1985,
Suzanne M. Singletary, “Elaine
March/April, 1983, p. 15.
M. Singletary, “Elaine Langerman:
Co-curator, “Green Chalk”, Anton Gallery, Washington, DC, & National
Institutes of Health, Bethesda, Maryland.
Juror: “Summer Selections”, Rock Creek Gallery, Washington, DC.
Moderator/organizer of a panel discussion of dream artists called “To
Paint a Dream”, a discussion of how our dreams connect with our
creative/visual work, part of the 17th International Conference of the
Association for the Study of Dreams, July 4-8, Washington, DC.
Inclusion of p.3 of Such Stuff, in the Archive section of:
Dreams:1900-2000, Science, Art and the Unconscious Mind, Lynn Gamwell,
Ernest Hartman, Donald Kuspit, Cornell University Press,
1998 Exhibit, 12th NAPAW National
Training Conference dinner, US-Asia
“Such Stuff”, Main Street Gallery, Prince Frederick, MD., a curated
1996 Arlington Arts Center “The
Artist’s Process”, “Dreams and Memories”
participant, Judy Gruber (WETA), host.
Program participant, Maryland Art Place.
1993 ART COMICS participant, Vol.1, No.1, January - April, 1994,
Bebe Williams, Publisher.
Critic’s Residency Program Participant, Arlington Arts Center.
Critic’s Residency Program Participant, Maryland Art Place;
Carter Ratcliff, author and contributor to artforum, Art in
Association for the Study of Dreams.
Washington Sculptors Group
am currently represented by Gallery K, Washington, DC., (http://www.
galleryk.com), and Artworks/Bookarts, Santa Monica, California.